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You can see complete description of Deep Blue Sea below:
- Original Title : Deep Blue Sea
- Movie title in your country : Deep Blue Sea
- Year of movie : 1999
- Genres of movie : Action, Science Fiction, Thriller,
- Status of movie : Released
- Release date of movie : 1999-07-28
- Companies of movie : Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership,
- Countries of movie : Australia, United States of America,
- Language of movie : English,
- Durationof movie : 105 Min
- Average vote of movie : 5.6
- Youtube ID of movie : gpdab_bi2HY
- Translation of movie : PL,EN,RO,RU,FR,SV,ES,JA,PT,CS,DA,UK,HE,PT,EL,TR,CA,DE,IT,NL,ZH,HU,KO,BG,ES,ZH,
- Cast of movie :Samuel L. Jackson (Russell Franklin), Michael Rapaport (Tom "Scoggs" Scoggins), Daniel Rey (Helicopter Pilot), Cristos (Boat Captain), Jacqueline McKenzie (Janice Higgins), Eyal Podell (Boy #1), Stellan Skarsgård (Jim Whitlock), Frank Welker (Parrot Noises (voice)), Valente Rodriguez (Helicopter Co-Pilot), Brent Roam (Helicopter Winch Operator), Erinn Bartlett (Girl #1), Saffron Burrows (Dr. Susan McCallister), LL Cool J (Sherman 'Preacher' Dudley), Thomas Jane (Carter Blake), Dan Thiel (Boy #2), Sabrina Geerinckx (Girl #2), Aida Turturro (Brenda Kerns), Tajsha Thomas (Friend of Janice)
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Deep Blue Sea the proper movie manufacured by Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership, with the use of a description of the movie is "On a remote former submarine refueling facility called Aquatica, a team of scientists are searching for a cure for Alzheimer's disease. Dr. Susan McAlester genetically engineers three Mako sharks, intending to increase their brain capacity so that they can harvest the tissue as a cure for Alzheimer's. Unfortunately, the increased brain capacity also makes the sharks smarter, faster, and more dangerous. Aquatica's financial backers are skeptical and nervous about the tests, and send a corporate executive to visit the facility.". The film was produced with excellent graphic quality, best sound quality and best starring actors.
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Script Supervisor : Kelly Moon, Prosthetic Makeup Artist : Chad Atkinson, Art Direction : Héctor Romero, Visual Effects Editor : Lincoln Kupchak, Producer : Don MacBain, Production Office Assistant : Jason D. McGatlin, Music Editor : Will Kaplan, Additional Editing : Kevin Stitt, Animation : Julie Nelson, Director of Photography : Stephen F. Windon, Production Illustrator : Harald Belker, Assistant Sound Editor : Catherine Calleson, Animation : Constance Bracewell, Assistant Costume Designer : Karla Stevens Flanigan, Visual Effects Producer : Heather Smith, Executive Producer : Jonathan Schwartz, Construction Foreman : William Apperson, Visual Effects Supervisor : Jamie Dixon, Production Sound Mixer : Tim Cooney, Makeup Department Head : Jeff Dawn, Editor : Frank J. Urioste, Special Effects Supervisor : John Richardson, Camera Operator : Leo J. Napolitano, Standby Painter : Anthony Gaudio, Original Music Composer : Trevor Rabin, Gaffer : Mick Morris, Production Manager : Anthony Franco, Unit Manager : Rafael Cuervo, Supervising Art Director : Mark W. Mansbridge, Electrician : Matt Buchan, Foley : Kevin Bartnof, Associate Producer : Patrick Lynn, Screenplay : Wayne Powers, Screenplay : Duncan Kennedy, Unit Production Manager : Todd Arnow, Executive In Charge Of Production : Mark Scoon, Camera Operator : Marc Spicer, Set Dressing Artist : Chris Adams, Additional Camera : Frederick Iannone, Mechanical Designer : Larry Cheng, Transportation Coordinator : Russell McEntyre, Boom Operator : Todd Bassman, Utility Stunts : Joey Box, Visual Effects Editor : Scott Balcerek, Visual Effects Editor : Mark Eggenweiler, Orchestrator : Tom Calderaro, Production Design : Joseph Bennett, Transportation Captain : Hugo Chew, Set Decoration : Debra Echard, Art Department Coordinator : Beth Bajuk, Assistant Art Director : Ligia Ornelas, Visual Effects Supervisor : Craig A. Mumma, Visual Effects Supervisor : Jeffrey A. Okun, Set Designer : Bill Taliaferro, Digital Effects Supervisor : Simon Giles, Makeup Artist : Allan A. Apone, Camera Operator : Gregory J. Schmidt, Set Production Assistant : Jose Jimenez, Producer : Alan Riche, First Assistant Camera : Frank Flick, Video Assist Operator : Jeff Burrage, Casting : Christine Sheaks, Costume Supervisor : James W. Tyson, Additional Music : Michael Jay, Production Design : William Sandell, Co-Producer : Rebecca Spikings, Casting Associate : Cassandra Kulukundis, CGI Supervisor : Serge Sretschinsky, Foley : Catherine Harper, Still Photographer : Merie Weismiller Wallace, Set Medic : Sarah Catizone, Producer : Akiva Goldsman, CG Supervisor : John E. Sasaki, Camera Operator : Guillermo Rosas, Executive Producer : Duncan Henderson, Script Supervisor : Portia Tickell, Second Unit Cinematographer : Gary Capo, Assistant Art Director : David Sandefur, Production Office Coordinator : Francis Meade Warner, Special Effects Coordinator : Sergio Jara, Dialogue Editor : Patrick J. Foley, Visual Effects Editor : Kevin Clark, Editor : Derek Brechin, Post Production Supervisor : Ilyse A. Reutlinger, Key Hair Stylist : Peter Tothpal, Visual Effects Coordinator : Jack Geist, Visual Effects : Joshua I. Kolden, Visual Effects Supervisor : William Mesa, Storyboard : Gary Damian Thomas, Animation : Bruce Pearson, Stunt Coordinator : R.A. Rondell, Director : Renny Harlin, Visual Effects Supervisor : Jerry Pooler, Stunts : Lesley Aletter, Producer : Tony Ludwig, Production Accountant : Armando Amador, Assistant Art Director : Jonathan McKinstry, Hairstylist : Robert L. Stevenson, Dialogue Editor : John F. Reynolds, Set Costumer : Carrie Bauer, Sound Recordist : Rick Hromadka, Sculptor : Jim McPherson, Lighting Technician : Bruce Sharp, Rigging Grip : Jonas Juhanson, Unit Publicist : Peter J. Silbermann, Assistant Art Director : Nick Navarro, Rigging Gaffer : Ismael 'Izzy' Gonzalez, Visual Effects Supervisor : Rebecca Marie, Set Designer : Javier Nava, Location Manager : Michael John Meehan, Digital Compositors : John Rauh, Sound Effects Editor : Jayme S. Parker, Visual Effects Editor : Steve Shaw, Art Direction : Andrew Rothschild, Visual Effects Producer : Scott Dougherty, Supervising Sound Editor : Robb Wilson, Sound Effects Editor : Andrew Somers, Color Timer : Dale E. Grahn, Property Master : Eric J. Bates, Supervising Sound Editor : J. Paul Huntsman, CG Supervisor : Douglas R. MacMillan, Costume Design : Mark Bridges, Sound Re-Recording Mixer : John T. Reitz, Driver : Rick Kelleher, Assistant Director : Thomas J. Mack, Editor : Dallas Puett, Steadicam Operator : Mark Emery Moore, Camera Operator : Phil Pastuhov, Production Supervisor : Anna Roth, Visual Effects Producer : Thomas Boland, Construction Coordinator : Gary Deaton, Supervising Art Director : Bruce Crone, Set Designer : Karl J. Martin, Leadman : Russell R. Anderson, Executive Producer : Bruce Berman, Sound Effects Editor : Adam Johnston, Projection : Tom Ajar, ADR & Dubbing : Hugh Waddell, Property Master : Jerry Moss, Music Editor : Dick Bernstein, Underwater Camera : Pete Romano, Associate Producer : Thomas J. Mack, Grip : Gustavo Covarrubias, Best Boy Electric : R. Gern Trowbridge, Visual Effects Producer : Kristen Branan, Screenplay : Donna Powers, Aerial Coordinator : David Paris, Animation Supervisor : Ken Stranahan
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Tags: shark attack, shark, alzheimer's disease, killer shark, no opening credits,
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